5 Reasons Food and Product Photographers Need a Grip Cart

I have been a commercial photographer for 11 years. When I started my career I did not have a lot of stuff to haul around. I had 1 camera, a few lenses, and a flash. As I have grown in my career I have accumulated a lot of gear. With all of that gear I was having to take more and more trips back to the car. I was tired before I even started my shoot. So I started looking for a grip cart. I looked at tons of carts before I finally settled on one. Below are my top 5 reasons that you need to get a grip cart. Check it out!

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Carl Spies Product Photography

rowing up as an only child could be pretty boring. I got really good at making friends at a young age. But for those time where I did not have friends around I spent a lot of time playing board games with my parents. I played a lot of Monopoly, Risk, and Battleship. When I was growing up I always tried to play board games in the car, but it really just never worked out. Recently I was introduced to the best car game ever Carl Spies. It is like a modern twist on Eye Spy and the cards in the deck are really well designed and just flat out awesome. I did some product photography on white for the Carl Spies e-commerce website. Check it out!

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Nashville Lifestyles Best Pizza

I always get behind in writing these things up. Back in September I photographed some of the best pizza in Nashville for Nashville Lifestyles Magazine. I photographed pizza at Pastaria and Moto Nashville. Both restaurants do amazing wood fired pizza. The assignment here was straight forward and to the point capture one signature pizza at each restaurant with vertical and horizontal photos. Check it out the resulting photos below!

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5 Ways To Take Sharper Photos

I have been teaching photography courses for the last two years and before that, I helped to train new digital tech, and Jr. photographers at my previous job. I have found that one of the biggest problems that new photographers have is getting sharp photos. Whether you are a food photographer, a product photographer or a lifestyle photographer these tips are for you.

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Really Right Stuff BH 55 Review for Food and Product Photographers

In August of 2010, I ordered a Really Right Stuff BH-55 Ball Head (you can order yours at www.reallyrightstuff.com). I have had the Really Right Stuff BH55 for 8 years now. I think it is now safe for me to do a little review of this ball head. The BH55 is the biggest, beefiest, and most expensive ball head that Really Right Stuff offers. In the configuration that I have this ball head runs $489. So the big question, is a ball head worth $489 for a food and product photographer?

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Murfreesboro Magazine Burger Issue 2018

I got asked to do the cover photography for the Murfreesboro Magazine Burger Issue again this year. This is one of my favorite editorials that I get to shoot. The magazine sends me to some incredible burger places in the Murfreesboro, TN area. This year I went to Goodness Gracious at the Mill, Burger Republic, and BurgerIm. I had a fantastic time doing burger photography at all three restaurants. Keep Reading to check out the tear sheets and see behind the scenes.

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My Top 5 Purchases for Food Photography of 2018

My Top 5 Food Photography Purchases of 2018

As much as I like to say that photography is not about the gear, having the right tools certainly makes the job easier and faster. So here are my top 5 food photography purchases of 2018.

DJI Osmo Mobile. I use the Osmo Mobile every day. I do all of my instagram stories, and IGTV post with the DJI Osmo Mobile. It is a fantastic gimbal for phones. The price point is right as well. Also this gimbal has amazing battery life.


Wall Plates. These things are cheap and invaluable on set. I use them as surfaces, and also to mount reflectors to. I honestly don’t know how I used A clamps to hold reflectors up before this. Below is a detail shot of a wall plate and another image of me showing how to tape a wall plate to a reflector doing a workshop.


20in C Stand. While I only have one 20in C-Stand it is one of the most valuable players in my kit. You don’t always need a full size 40in C-Stand. These little guys are the right weight and size for so many jobs. I often will use them to hold on to a wall plate that I will use as a surface. I purchased mine used from a retired photographer it only ran me like $20. You can see one on set holding up a bottle of Rock Town Bourbon below. This bottle of bourbon is actually sitting on a wall plate.


The Zoom F1-LP. This is an affordable wired lavaliere microphone and recorder. I purchased this for a video tutorial series on Adobe Lightroom that I did for The Luxe Academy. I used this microphone in all videos that I produced for them, and I have also used it in a ton of quick IG stories that I have created and on some talking heads interviews. This mic really helped to open the world for video up to me.


Flag Frames. When I worked at Saks 5th Avenue I discovered the beauty of Flag Frames. These little guys are fantastic. They mount to the knuckle of a c-stand and allow you to move around your diffusion panel with ease. I tend to put Savage Translum on them because it is a great diffusion material. Like wall plates these will change the way you work. It makes moving and adjusting flags super easy. You can see a flag fame with Translum diffusion on set here it is on the left side of the image. We were working on a video shoot here and it was the perfect tool to diffuse the led panel.



To sum it up real quick none of these items will make you a better photographer. They are nice things to have to speed up your workflow and to open up some doors. The links in the descriptions are just there for information. I don’t get a kick back of any sort from linking to these products and I am not affiliated with any of the brands.

Nick Bumgardner is a food and beverage photographer based out of Nashville, TN.

How I Became A Food Photographer


It has been two years and I have never talked about what happened that led me to food photography.

One word Passion. Reality is complicated. Two years ago I was laid off from my Lead Still Life Photographer job at a luxury retailer. I was thrown a curve ball. I knew it was coming. Six months before the lay off I started to get some strange vibes at work. Three months before the layoff the company formally announced the layoffs. I still get a bad feeling in the pit of my stomach when I think about it. 

Life is a journey let's talk about it!

I have been a commercial photographer for the last 10 years. I started as a freelancer for a newspaper. I met some awesome people while there and started being a photo assistant. I wanted to get more of an inside perspective on the commercial photography world. I climbed the rank from photo assistant to digital tech, to studio manager. Finally, I took a leap and went out on my own again as a photographer. I did general commercial photography work for a few years. It was great. I was having a blast, but not making the most money and I struggled with getting enough work. 

Head On

I decided to make a change. I wanted to tackle a market that was pretty barren in Nashville. So I jumped into product photography. For about two months I focused my time on creating a product photography portfolio with a prop stylist that I had met. This is one of the best moves that I have ever made for my career. 

A new Career

At about this same time I got word that a luxury retailer was going to open a studio in Nashville. There was a rumor that they needed product photographers. I hurried and put together a book of my new product photography. The rumor turned into reality. One of my good friends who was a product photographer had a recruiter reach out to him. He also gave them my name. A few months later I sit down for my first of three interviews with this company. The company makes me an offer to be a Jr. Photographer.

I started with this company as a Jr. Photographer, worked my way up to a Staff Photographer and finally, I made Lead Still Life Photographer. It was an awesome journey and I learned a ton along the way. I was at the Nashville studio from the day that it opened. I helped build the desk, put together the workstations, helped lay out the initial set design. I was with Saks for 3 years. It was an amazing job opportunity. I became friends with some amazing photographers, retouchers, and stylist that are now part of my team. 

This job allowed me to meet some of the best product photographers I have ever seen. I was mentored by an amazing jewelry photographer. My photography skills accelerated at an amazing pace because I was doing photography 40 hours a week. I went from thinking I knew a lot about product photography to actually knowing. Photographing product and fashion for 40 hours a week will change you as a photographer. You learn what the important things to watch for are, you learn how to shoot a lot of items in a limited time frame. You learn how to photograph one item and take your time to get the perfect image. When I started I thought I knew about workflow. Over three years I learned what makes for a good studio environment.

I was creating product images every day and essentially doing the same thing every week for 40 hours. I say that, but I was always excited to go to work. I never stopped freelancing. I still had the drive to be creative outside of work. I knew going in that this type of job is rarely a forever job.

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The Good Stuff

The great things about being a full-time staff photographer. You get a paycheck the 1st and the 15th of each month. You don't have to worry about getting paid on time. You don't have to market. You don't have to do business taxes, sales tax, or any complicated tax stuff. You have a place to go and work every day. 

The Bad Stuff

The bad things about being a full-time staff photographer. You are doing the same thing every day. You are in the same studio every day. You are creating to the same standards every day. It can kill creativity. 

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While I was working as a full-time staff photographer I got bored creatively. I wanted something to do that was creative and fun. For the majority of my marriage, I have been the home cook. I started taking my cooking to new levels with fresh ingredients, and new flavors and textures. It became a really fun adventure to see what I could cook next. 

Enter Food

Since I was creating really tasty and beautiful food I figured I might as well start photographing it. So in November of 2015, I started photographing my food. I photographed my food for fun. For creative freedom. To escape reality. To live. To be free. Photographing food was solely for me. I had no one to report to. No one to say if it was good, bad or indifferent. I did not care how good my food photography was. 

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Something is not right

Fast forward to January 2016. I start to feel something strange in the atmosphere at work. Things are just not quite right. I start to get more serious about my food photography. I start bringing out my lights. I start creating some surfaces to photograph food on. I start putting my work together for a possible portfolio. I'm having a lot of fun thinking about food photography.

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The Gut Punch

Eventually, we get the word that they are going to close down our studio. I'm pretty gutted about it. I have been doing a job that I honestly loved for almost 3 years. It is hard to find an amazing full-time photography job. They let us know that it would be a while before our last day the studio would be open for a few more months and that we would be getting severance packages. Over three years the people that I was working with had become like family. I was going to miss the people that I was working with more than anything. Despite the fact that I felt that this was coming I was still shocked. It ended up being about three months from the time we were notified until the studio would shut down.

My first call after finding out the news was to my wife. She was amazingly supportive. She was 100% on board with me opening back up my freelance photography business full time. She had zero worry about me being able to make enough money. 

My second call was to a good buddy that is the Cheif Creative Officer for an advertising agency. We discussed opportunities with his firm as an in-house creative, and also started talking about rebranding my work. I decided to pass on doing in-house work with his company. We focused our conversation on rebranding my work and creating a new logo. 

My third call was to my old business coach. We went over a few ideas on how to get me in front of a lot of people in the next few weeks to interview, and to also pitch my portfolio to as many people as possible.

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Over the next few months, I went on dozens of interviews. I wanted to at least try to find another good fit as an in-house creative. I interviewed at a lot of really cool companies and got offered 6 full-time creative jobs. I ultimately decided that as much as I would like a steady paycheck that I really just wanted to spend some time and do my own thing again.

I consider myself truly lucky. I was able to have a few months before one job ended to figure out what I wanted to do. I was able to think about and plan my journey.

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The Hard Work

I pitched my book to dozens of advertising agencies and creatives. I had put together a portfolio of my work in about a week. My portfolio consisted of 4 sections: food, product, lifestyle and a personal project. I was completely sold on the idea that I would be a product photographer. I thought product photography especially my e-commerce work was really strong. I was selling myself as a product photographer. This was the hard work. Getting to meet a ton of new creatives takes a ton of time and energy. 

What actually happened though was during all of these meetings that creative directors and art directors were drawn to my food photography. I had hit on something that people were wanting to buy. 

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The End

For three months I was the lead still life photographer. It was a great job. It was a difficult job. My former manager left the company early to pursue a new opportunity. I was given an amazing opportunity to try my hand at management without a lot of the responsibility. I got to help guide my team of still life photographers through a layoff and try to keep team energy high and still produce high-quality product photography. I'm going, to be honest, it was rough. Everyone had high emotions. Luckily because I had an amazing new manager who I reported to he made the task easy. The last day was really bitter sweet. We packaged up all of the studio gear into boxes and just left. It was great to wrap up that chapter of my life. We got to pack everythign up and I think that was good it allowed for a sense of closure that most people dont get. It was sad becuase over the course of three years I had made some amazing friends.

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The New Buisness

About a month into my new business I landed a contract to photograph 20 restaurants for a company. That 20 restaurants ended up turning into 60 restaurants. Those  60 restaurants turned into 120 restaurants. I was suddenly a food photographer. This one client turned into dozens of clients. It was a lot of hard work and a little bit of luck.

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Let's be honest this was a gut punch. We had just moved into a bigger house. We had just taken on a much larger mortgage. My daughter was still in daycare. We had a lot of money going out each month. It was super stressful. 

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Life Changes

I have found that moving on to the next thing is always difficult. If you want to continually better yourself you have to challenge yourself. I heard a quote the other day that "Next level life comes with next level challenges". IT is completely true. It is a challenge to get to the next level. You have to embrace the hard stuff. 

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I am a Food, Beverage and Product Photographer!

Food photography ended up taking off. Two years later and I am happy to be a food and beverage photographer. I left a company after three amazing years. I was able to pull myself and my work together and start a freelance business again. It was a huge jump to get back in. I'm going, to be honest, I was super nervous. What would happen? Will I make enough money? Will people buy my work? I was a nervous wreck for months. Lots of hard work and effort and I can say that my business is going well. I'm still at a point where I am constantly working on improving my work, my business model, and workflow. I'm still evolving as a creative. I hope that my creative journey will keep changing. I have bigger goals for every month and every year. There is always something to change or test. I'm also super glad that I'm finally talking about how I became a food photographer.

Hopefully, I can give you a little bit of inspiration if you are thinking about becoming a food photographer. If you have gone though a career transiton tell me about it. How did it go? Do you have any tips for becoming a food photogarpher?



The Native Magazine Cocktail of the Month is one of my favorite regular gigs that I get to photograph. Native is always sending me to cool bars and restaurants to shoot these cocktails. I get to meet some pretty cool people along the way and take some pretty awesome pictures. So lets dive into this cocktail. This is the Cherries Etc. which was made by and styled by Nick Dolan the Head Bartender of The Fox Bar and Cocktail Club. It features Lustau Brandy, Cappelletti red bitters, lemon stock, Maurin Quina, absinthe, Scrappy's Chocolate Bitters, and 3 fresh Cherries. To see the recipe in full be sure to pick up the magazine! Keep reading to see how I created this beautiful cocktail photo.

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